Perhaps the most dynamic of the four main characters, Calixta undergoes a significant internal change by the close of the story. She is widely regarded as the most beautiful, sought-after girl in the region. “But the belle was Calixta” (184), the narrator observes, describing how she stands out from the rest of the girls, not only because of her clothes and material possessions but because of her personality.

The narrator remarks: “Animation! And abandon! Such flashes of wit!” (184). The physical description of Calixta portrays her as a “vixen” with a “full figure; that voice like a rich contralto song, with cadences in it that must have been taught by Satan” (179). Calixta exudes desirability and sensuousness. She wants physical intimacy from her suitors and is not held back by societal expectations when it comes to receiving and enjoying such affection. Early on, it is revealed that Calixta had previously been involved in a scandal involving a lover. In this, Calixta embodies a more modern, feminist spirit compared to other ladies of her time.

Chopin strategically uses Calixta as her feminist heroine to publish daring content about women and sexuality. By creatively intertwining “local color” in the description of her characters and