Queer theory generally posits gender as performative. In other words, behavior is not dictated by gender. Rather, individuals learn how to behave through societal cues. This idea was first popularized by American philosopher Judith Butler in Gender Trouble: Feminism and the Subversion of Femininity (1990). She posits “that one's learned performance of gendered behavior (what we commonly associate with femininity and masculinity) is an act of sorts, a performance, one that is imposed upon us by normative heterosexuality” (“Modules on Butler.” www.cla.purdue.edu).

As discussed, theater also has a long history of gender-bending, as male actors were known to play female roles in ancient Greece, and Shakespearian performances often involved female characters played by male actors who disguise themselves as men in the play.

In Gracefully Grayson, the transgender titular character uses theater as a way to experiment with her gender identity and expression. By playing the role of Persephone, Grayson is able to be perceived as female in a safe and affirming environment, and her distance from the character affords her a level of protection against potential negative reactions. In short, the role of Persephone enables Grayson to fully embrace her identity as a girl: “Ms. Landen helps me step into my golden gown for Act One.