logo

Out, Out—

Robert Frost

Out, Out—

Robert Frost

  • 20-page comprehensive Study Guide
  • Chapter-by-chapter summaries and multiple sections of expert analysis
  • Featured in our Mortality & DeathGriefSafety & Danger collections
  • The ultimate resource for assignments, engaging lessons, and lively book discussions

Out, Out— Poem Analysis

Analysis: “‘Out, Out—’”

The poem’s title is a quotation from William Shakespeare’s play Macbeth, citing Macbeth’s soliloquy upon hearing of his wife’s death (See: Literary Context). The title, then, immediately connotes death and tragedy, even as these elements become evident only about halfway through the poem.

The poem opens, “The buzz saw snarled and rattled in the yard” (Line 1). The immediate focus, even before the setting or the characters, is the machine. The speaker says it both “snarl[s]”—a sound evoking a threatening animal—and “rattle[s]”—the sound of a machine. The buzz saw is both animate and inanimate, both unpredictable and indifferent. These qualities give the machine a sense of danger.

The purpose of the buzz saw is to cut wood to provide fuel: It “made dust and dropped stove-length sticks of wood” (Line 2). This activity seems innocuous, but even the first line’s diction reinforces the sense of danger: The saw “make[s] dust” but merely “drop[s] stove-length sticks of wood,” as though its true purpose is to produce the dust and the fuel wood is a by-product. Dust is traditionally associated with death (“Ashes to ashes, and dust to dust”)—so while the people may use the saw to produce fuel, the machine itself produces death.

blurred text

Unlock this
Study Guide!

Join SuperSummary to gain instant access to all 20 pages of this Study Guide and thousands of other learning resources.
Get Started
blurred text